“Lee is one of the most inventive writers I’ve ever had the pleasure of working with. He writes drama with humanity, a wicked sense of play and a taste for the theatrical. He's also a kind and generous collaborator who brings rigour to all that he does”.
Andrew Whyment, director and Artistic Director of Squint.
The Squint Playwriting Award | 2023
The Incredible True Story of the Johnstown Flood | 2022
Iphigenia in Aulis | The Cockpit Theatre | 2019
The Blood | RADA Festival | 2018
Skeletons (Or How I Learned to Love F**king Up) | New Diorama Theatre | 2017
Skin Deep | Old Red Lion | 2016
Poles Apart | Tristan Bates Theatre | 2016
The Daily Plays | Pleasance Theatre | 2015 - 2018
Molly | Pleasance Courtyard | Edinburgh Fringe 2015
Long Story Short | Charing Cross Theatre | 2014
Blasted | Lincoln Performing Arts Centre | 2012
Bluebird | Bedlam Theatre | Edinburgh Fringe 2011
“Lee’s input is always insightful and rigorous. As a dramaturg, he ask's the right questions at the right time, guiding the creative process and enabling his collaborators to clarify their precise intentions. I recommend him for any project.”
- Dean Elliott, Writer and Actor